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Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Kitano Tsunetomi was a well known bijin-ga printmaker and painter. His woodblock prints have a painterly quality, and look very similar to the scroll paintings on which they were based. In 1880, he was born in Kanazawa with the name Tomitaro. As a young man, Tsunetomi worked as an apprentice to a woodblock carver after which he became a print carver for the newspaper Hokkoku Shinpo. He later moved to Osaka to study nihon-ga style painting under Inano Toshitsune, a student of Yoshitoshi. In 1901, he began working as an illustrator for the newspaper Osaka Shinbun.<br/><br/> Beginning in 1910, Tsunetomi began to exhibit paintings in the Bunten shows, and he won a prize in the 5th Bunten (1911) for his bijin-ga painting 'Rain during Sunshine'. He published a folio of four prints in 1918 titled 'Spring and Autumn in the Licensed Quarter' (Kuruwa no shunju). These designs were self-carved and printed. In 1924, Tsunetomi founded an art school and publishing house called Hakuyodo.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Ohara Koson (Kanazawa 1877 – Tokyo 1945) was a Japanese painter and print designer of the late 19th and early 20th centuries, part of the <i>shin-hanga</i> ('new prints') movement.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Kitano Tsunetomi was a well known bijin-ga printmaker and painter. His woodblock prints have a painterly quality, and look very similar to the scroll paintings on which they were based. In 1880, he was born in Kanazawa with the name Tomitaro. As a young man, Tsunetomi worked as an apprentice to a woodblock carver after which he became a print carver for the newspaper Hokkoku Shinpo. He later moved to Osaka to study nihon-ga style painting under Inano Toshitsune, a student of Yoshitoshi. In 1901, he began working as an illustrator for the newspaper Osaka Shinbun.<br/><br/> Beginning in 1910, Tsunetomi began to exhibit paintings in the Bunten shows, and he won a prize in the 5th Bunten (1911) for his bijin-ga painting 'Rain during Sunshine'. He published a folio of four prints in 1918 titled 'Spring and Autumn in the Licensed Quarter' (Kuruwa no shunju). These designs were self-carved and printed. In 1924, Tsunetomi founded an art school and publishing house called Hakuyodo.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / <i>moga</i>' movement of the 1920s and 1930s. Shoun is considered a bridge between the <i>ukiyo-e</i> and <i>shin hanga</i> schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Kitano Tsunetomi was a well known bijin-ga printmaker and painter. His woodblock prints have a painterly quality, and look very similar to the scroll paintings on which they were based. In 1880, he was born in Kanazawa with the name Tomitaro. As a young man, Tsunetomi worked as an apprentice to a woodblock carver after which he became a print carver for the newspaper Hokkoku Shinpo. He later moved to Osaka to study nihon-ga style painting under Inano Toshitsune, a student of Yoshitoshi. In 1901, he began working as an illustrator for the newspaper Osaka Shinbun.<br/><br/> Beginning in 1910, Tsunetomi began to exhibit paintings in the Bunten shows, and he won a prize in the 5th Bunten (1911) for his bijin-ga painting 'Rain during Sunshine'. He published a folio of four prints in 1918 titled 'Spring and Autumn in the Licensed Quarter' (Kuruwa no shunju). These designs were self-carved and printed. In 1924, Tsunetomi founded an art school and publishing house called Hakuyodo.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Sanai Hashimoto (April 19, 1834 - November 1, 1859) was a Japanese samurai and loyal supporter of the Emperor during the final days of the Tokugawa Shogunate.<br/><br/> Shimada Bokusen was the son and a pupil of Maruyama school painter Shimada Sekkoku. He studied under Hashimoto Gaho, a member of the Nihon Bijutsuin. A committee member of the Teiten in 1925, he received the Imperial Art Academy Prize in 1942. He specialized in portraits of historical figures, working in a revived <i>yamato-e</i> style.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamura Koka, who also used the art name Yamamura Toyonari, studied with Ogata Gekko (1859-1920) and graduated from the Tokyo Art School in 1907.<br/><br/> He began designing actor prints at least as early as 1915 — signing with both art names — by contributing to the short-lived magazine 'Shin Nigao' ('New Portraits'). However, it was his collaboration with the publisher Shozaburo Watanabe in the following year that provided Koka with a means to establish an impressive body of work in the actor print genre.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Hasui Kawase (川瀬 巴水 Kawase Hasui, May 18, 1883 – November 7, 1957) was a prominent Japanese painter of the late 19th and early 20th centuries, and one of the chief printmakers in the shin-hanga ('new prints') movement.<br/><br/> Kawase studied ukiyo-e and Japanese style painting at the studio of Kiyokata Kaburagi. He mainly concentrated on making watercolors of actors, everyday life and landscapes, many of them published as illustrations in books and magazines in the last few years of the Meiji period and early Taishō period.
Tsuchiya Koitsu was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Hirano Hakuho was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century). The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Tsuchiya Koitsu was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Tsuchiya Koitsu was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Narazaki Eishō 楢崎 栄昭 (1864-1936). Narazaki used the art names Fuyō 扶陽 (1916-1922) and Eishō (1922-1936). He learned the art of woodblock printing from Eitoku Kobayashi (1843-1890) and while working at the Printing Bureau of the Ministry of Finance in Tokyo, he learned copperplate printing from the Director, the Italian artist Eduardo Chiossone (1833-1898).<br/><br/> In 1916 he began making prints for a foreign clientele under the pseudonym of Fuyō. In 1922 he assumed the name Eishō and set to work producing artistic prints. Later, he was among the artists who worked for the publisher Watanabe Shozaburo (1885-1962) in shin hanga style. Woodblocks by Eishō published by Watanabe include 'Inside Asakusa Kannon Temple' (his best-known work), 'New Diet Building', 'Meiji Shrine', and 'Rissekiho Beach, Korea'.
Tsuchiya Koitsu was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Tsuchiya Koitsu was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Tsuchiya Koitsu was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Ito Shinsui was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century). The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Hashiguchi Goyo was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century). The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Tsuchiya Koitsu was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).
Hashiguchi Goyo was an artist of the Shin Hanga movement. Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century). The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meishō), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachōga).